2011 Standard Jazz Bass
2011 Standard Jazz Bass
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Musical fantasies of three sacred monsters of jazz
RICCARDO DEL FRA TRIO - "LE QUERCE JAZZ" - COUNTRY CLUB "LE QUERCE" (SARROTTINO, ITALY) - 24/11/2011. Jazz is a music genre which does not provide static, as the practice of many musicians "interweave" their artistic paths with those of other members, forming groups that express their ideas for a tour or even for a few concerts. Yesterday evening were two reasons to be present at the country club "Le Querce", the first of which was attributable to the première of the fifth edition of "Le Querce Jazz", of the other group who was main character.
Riccardo Del Fra, Marc Copland, Billy Hart, three musicians unmatched in the current landscape of afro-americana, real giants who have linked their careers to collaborations. For each of them would need to write a chapter apart to give all artists with whom they have divided the stages of half the world. Without any distinction in their "curriculum" seem Dizzy Gillespie, Art Blakey, Randy Brecker, Gary Peacock, Wayne Shorter, Joe Zawinul, Chick Korea and Miles Davis, the gotha jazz world. This trio of big thickness was wanted by Riccardo Del Fra, a native of Rome but now French adoption, world renowned jazz bassist.
The trio, in front of an audience attentive and silent, has confirmed the good expected "delivering" a performance of unquestionable level since the initial "I'm old fashioned", standard composed by Jerome Kern and Johnny Mercer, that starting from an intro "weightless" took slowly share thanks to the soft touch of Del Fra and the relaxed pace of Copland, both supported by the masterful drumming of Billy Hart. Was this a schema that was repeated throughout the performance, no leader but three soloists determinants in the sound of the band. Very particular the long version of "Autumn leaves", whose beginning from free strokes has almost made little recognizable song better known as "Les feuilles mortes".
The passionate performance of "I'm a fool to want you" was the best moment of the concert. The voice of Billie Holiday was replaced by the melodic line of the bass guitar and by counterpoints of Copland who, in a fascinating, exchanged the role enriching, where ever possible, the charm of this evergreen. The crossover was repeated again in "Talkin' blues", with a continuous dialogue between piano and drums, and during the performance of "A little Max", composition of Duke Ellington, Billy Hart launched a great solo. The trio seemed to be more at ease with the ballads, confirming in a final standard "Greensleeves", which received the last warm greeting from the audience.
"Le Querce Jazz" will live a second evening of great jazz to BRAND, day 24 February, with the tribute to Carmen McRea Shawnn Monteiro, yet another bet winning Giampiero Ferro, artistic director of the review.
(Photo courtesy of Angelo Maggio)
About the Author
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